CRICKETER OF THE YEAR 1997

Sachin Tendulkar

It was one brief moment in time. The World Cup, India versus West Indies in Gwalior, and a single stroke of such exquisiteness that the old maharajah surely would have had it carved in ivory and placed on a plinth. In essence, it was no more than a leg-side flick to the boundary and, in a competition that gorged itself on hitting, might have been worth only transient acclaim. But this was a gem: a length ball from a high-class pace bowler met initially with a straight blade, and then, at the last nanosecond, turned away with a roll of the wrist and such an irresistible alliance of power, timing and placement that first of all it eluded the fingertips of a mid-wicket fielder diving to his right, and then it did the same to the boundary runner haring and plunging to his left. Skill, technique, confidence, awareness, vision: pure genius, and four more runs to Sachin Tendulkar.

The young man is probably the most famous and feted man in India, outglitzing even the stars of Bollywood movies. With endorsements over the next five years estimated to be worth at least $US75 million, he is also the highest earner in cricket. He has become public property in a country of enthusiasms that can spill over into the fanatical, but has managed to maintain a dignified, mature outlook, remaining aware of his responsibilities while protecting his privacy. When he married Anjali, a doctor and friend from his childhood, he rejected massive sums from satellite TV for live coverage, keeping the ceremony a family affair. He knows his worth, and is wealthy beyond the dreams of almost a billion Indians, but he is not a grabber. His father, a university professor, imparted a sense of perspective and a work ethic.

Tendulkar averages over 50 in Tests and is the supreme right-hander, if not quite the finest batsman, on the planet. He is a focused technician, who offers a counterpoint to Brian Lara's more eye-catching destruction, fuelled on flair and ego. He has, it seems, been around for ever. In the Third Test at Trent Bridge last summer, he scored 177, the tenth century of his Test career and his second of the series: yet remarkably, at 23, Tendulkar was younger than any member of the England team, with only Dominic Cork and Min Patel born even in the same decade. His figures have been achieved despite a lack of Test cricket, particularly at home. Seven of his centuries had been scored before his 21st birthday, a unique record. Had India not rationalised their Test match programme so much that, prior to last summer, they had played just one three-match series, heavily affected by rain, against New Zealand, in the previous 18 months, there is no telling what he might already have achieved. With time on his side and a return to a full Test programme, he could prove Sunil Gavaskar right and rewrite the records.

SACHIN RAMESH TENDULKAR was born in Bombay on April 24, 1973, and, since childhood, has trodden a steady, almost inevitable, path to greatness. He attended the city's Sharadashram Vidyamandir school, where the Harris Memorial Challenge Shield, a competition for Under-17s, provided the chance to bat for hours. From the age of 12, when he scored his first century for the school and came to notice as a special talent, he indulged himself. When 14, he compiled not out scores of 207, 329 and 346 in the space of five innings, one of them contributing to an unbroken partnership of 664 with Vinod Kambli, a record in any form of cricket.

He was 16 years and 205 days old when he made his Test debut, in November 1989, in the National Stadium in Karachi - for a young Indian, perhaps the most fiery baptism of all. The following year, at Old Trafford, he hit his first Test century - not a scintillating innings, but an exercise in technique, concentration and application beyond his tender years, which saved a game that might have been lost. Had it come 31 days earlier, he would have been the youngest century-maker in Test history. During the winter of 1991-92, he went to Australia, where they still talk in awe of the centuries he scored in Sydney and in Perth.

A few days after his 19th birthday, Tendulkar came back to England: to Yorkshire, no less, as the county's first overseas player. It would have been a massive responsibility for anyone, let alone a teenager from India, and it did not quite work, Tendulkar assumed the mantle conscientiously, and posed with cloth cap and pint of bitter, impressing colleagues and supporters alike with his understanding of public relations. But, in the end, he failed to come to terms with the county game, scoring only one century and barely scraping past 1,000 runs in his only season. Hindsight would tell him that it was part of his education, but a mistake none the less.

In 1996 he returned to England, a teenage prodigy no longer, but a seasoned Test batsman fit to stand alongside his first hero, Gavaskar. The pair have much in common: Gavaskar was slight of build and, of necessity, a supreme judge of length. Tendulkar, too, is short. There is a lot of bottom hand, but he drives strongly, on the rise, such is his strength of wrist and the control in his hands, while he is devastating off his legs, pulls well and - given good bounce - can cut wide bowling to ribbons. If the delicate and unexpected talents of Sourav Ganguly provided a distraction last season, then Tendulkar's two hundreds in three Tests were ample demonstration of the team's premier batsman leading from the front. The first of them - at Edgbaston, where he made 122 out of 219 - was a stunning display of virtuosity in adversity.

In August, aged 23, Tendulkar succeeded Mohammad Azharuddin as captain of his country. Had he craved it and pursued it with a passion, he would surely have got the job earlier, perhaps even while a teenager. Rather, it was a position that was being held in abeyance until the time was right. His leadership has a firm base of experience to it now. His first Test in charge was against Australia. He made ten and nought but India won, just as one almost assumed they would. Some things just seem part of a wider plan.

© John Wisden & Co