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Making monkeys of themselves: the spectators who were ejected from the Wankhede
© Getty Images
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In Vadodara and Mumbai, Andrew Symonds, the only non-white, Afro-Caribbean
member of the Australian side, was heckled by spectators who called him a
monkey, and made ape-like motions in case he hadn't got their point. The Sydney
Morning Herald published a photograph of two middle-class, middle-aged
Indian men making like monkeys. Symonds, his captain, his team mates, and
Australian newspapers thought this was as patent a form of racism as you
were likely to witness on a cricket field and said so. The ICC wrote to the
BCCI expressing concern.
Sharad Pawar said he hadn't received the ICC's letter. He borrowed the theme
of cultural difference that Ricky Ponting had used earlier in the series in
another context - that of sledging - to make his point. In the days that followed, this
became something of an Indian theme: the Australians had misunderstood the
crowd's gestures. There was no racism intended. The police commissioner in
Baroda even supplied an alternative explanation: the monkey chants were no
more than the spectators invoking the simian god, Hanuman.
The non-official reaction was similar. The newspapers were slow off the
mark. Some suggested that Indian crowds had always jeered combative
cricketers like Symonds; the monkey business was volatility, not racism.
Indian crowds had been known to call West Indians "kaliyas" or "hubshi" and English cricketers "goras" because they were, respectively, black and white.
The implication was that Symonds with his dreadlocks and face paint, more or
less invited the heckling by turning out in a contemporary version of
blackface. Looked at reasonably, it was possible, the argument ran, to see
it as no more than a kind of empirical teasing where unsophisticated
spectators named what they saw: gora, kaliya, bandar.
Some opinion pieces struggled with the large question: are Indians racist?
And if they are, are they racist in the same way as white people who are racist?
Critics referred to the Indian obsession with being light-skinned, a
preference happily specified in classified matrimonial ads and further borne
out by the sale of fairness creams. One writer described this preference as a form of "soft racism", an attitude similar to notions of white superiority in western societies, but different in two ways: a) there was no republican history of state sanction for racist prejudice, unlike in white settler colonies like Australia and South Africa in the past b) the variation in skin colour within networks of caste and kinship in India made "hard" bigotry, genetic racism, difficult. Others made the point that caste discrimination,
specially the practice of "untouchability", was as vicious a form of discrimination as apartheid or segregation.
As the days passed a pattern emerged in the public response to the taunting
of Symonds. The reaction after Vadodara was defensive. After the Mumbai match,
where Symonds was booed at the prize-giving, and where the monkey
taunts were repeated, the Indian response changed: the police evicted the
worst offenders and charged them in court, Pawar denounced racist behaviour
as unacceptable, and newspapers carried editorial mea culpas. It was Hamish
Blair's brilliant photograph of two middle-class Indian men in the Wankhede
stands, trying to look like apes and succeeding, that swung Indian public
opinion away from denial towards an acknowledgment that there was a problem
that needed to be named.
It's silly to look for anthropological
explanations that will turn racist behaviour by Indians into something
subtly different. Cricket writing by Indians in English sometimes makes the
mistake of thinking of the "average" Indian fan as non-English speaking and
therefore naïve and unsophisticated. This assumption makes it possible for
"us" to explain "their" behaviour away as a kind of unschooled brutishness
that is unfortunate but not wicked
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And its name is racism. It's silly and deluded to look for anthropological
explanations that will turn racist behaviour by Indians into something
subtly different. Cricket writing by Indians in English sometimes makes the
mistake of thinking of the "average" Indian fan as non-English speaking and
therefore naïve and unsophisticated. This assumption makes it possible for
"us" to explain "their" behaviour away as a kind of unschooled brutishness
that is unfortunate but not wicked. This is why Blair's photograph is so
important: it shows you upwardly mobile men - who probably discuss the
virtues of one malt whisky over the other, who possibly holiday abroad, whose
children certainly go to private schools that teach in English - using one
of the many international codes they've learnt in their cosmopolitan lives,
the Esperanto of bigotry. The mudras they're making aren't derived from
Kathakali : they're straight out of the international style guide to insulting black men.
It's hard for Indian fans to cede moral advantage to an Australian team.
They are so much better at the cricket that outrage is often the only
consolation we have. It's hard to fault the Australians' behaviour on the Symonds
affair: they've made their point, done the BCCI the favour of not lodging an
official complaint, been appreciative of the board's belated denunciation of
racism, and have signalled their willingness to move on. The Indians, after a
slow start, have redeemed themselves by booking the bad guys. To keep up the
good work, we need to do the same again. And it doesn't have to be a racial
insult the next time round: it could be, given our versatility in the matter
of prejudice, a religious slur.
To say this isn't to concede some civilisational defect but merely to point
out that we can't enjoy the glow of self-righteousness without the rigours
of self-examination. Our virtue as a nation is that we committed ourselves
to an inclusive pluralism. Our aim as a cricket-playing nation ought to be
to live up to that ideal.
Mukul Kesavan is a historian, novelist and essayist based in New Delhi