Cricketing topics you must admit make for the best conversations. For seemingly no real reason you can keep talking about the game. Frequently, when you run out of topics of current interest, periods of nostalgia drift in. And then, your thoughts take totally different turns and the dialogue takes on a completely different tone. Topics merge into one another and everything appears to make complete, continuous sense. A sort of soothing, equal music.
A few days back, a friend and I were talking about how we learnt to play our cricket. The conversation gradually turned to players' mannerisms we'd picked up somewhere along the line during our so-called cricketing lives. He said, as a kid, he'd try imitating Gavaskar. On a hunch, I laughed and asked him whether it was the settling into his stance part that he would attempt copying. He said Yes. Curious parallels like these somehow increase the pace of the Cricketing Conversation. The mood is lightened, frequently, you are chuckling, the world appears a sunnier place, Bangalore suddenly feels like Kerala etc. And, this got me thinking.
It is remarkable how uncomfortable I used to feel when batting (as a kid or even sometimes I must admit as a teenager) if I did not get the time to do the Gavaskar-settling-into-his-stance bit. It partly explained why I could never bat in the Nets. There was simply no time for you to settle into your stance. But, actual matches were different. As the bowler shuffled back to his run, the left leg would already be in place, the right leg would soon swing compactly into place right behind it. The process seemed to give you some sort of presiding authority over bowlers. The bowler about to start off on his run, you sliding your right leg into place. You felt a proper batsman. Settled in your stance, the reference point to your strokes all nice and balanced. You viewed the slips with disdain. Your mind occupied a high plane where edges didn't exist.
That was before the bowler bowled. If the ball was full and on leg, you went smartly forward and drove. On-drove. Once the stroke was completed, the important bit remained. You lifted your back leg and struck a pose. Graham Gooch, driving Malcolm Marshall.