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March 4, 2014

Can Flower bring art to the science of coaching?

Jon Hotten
Andy Flower and his staff have been criticised for an over-reliance on statistical analysis  © Getty Images
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A long time ago now, my dad and me were in a junk shop, where he came upon a copy of Ranjitsinhji's Jubilee Book Of Cricket, first published in 1897. It's a wonderful edition, and as well as being a beautiful object, it's a time-traveller's dream. It's so close to the origins of the game that it has an almost haunting depth to it. Here was how the Victorian psyche saw the practice of cricket.

It's funny, too, in places: there's one wonderful plate captioned "a player illustrating a doubtful delivery", in which a glowering giant with a lantern jaw has a 45-degree break in his elbow. Darrell Hair would have loved him.

The fledgling development of the camera meant that every image had to be posed for some minutes, and there's a stillness to them that makes the era look more studied than it must have been (the plate of Ranji hooking looks more like he's about to put up a parasol on Brighton beach), and yet here is one of the very first times that the techniques of batting and bowling were recorded and described.

Who it was that actually did the describing has always been a matter for debate. Although the Prince's name adorns the cover, his friend CB Fry is thought to have written much of the text. Either way, it could not have had two more illustrious authors beyond the Grand Old Man himself. On the bombshell pitches of Victorian England, both averaged more than 50 - high-class today, but back then the mark of genius.

The young Ranji, new to the game in his late teens, had a common fault: backing away from fast bowling. In the nets at Cambridge, under the eye of a first-class player called Daniel Hayward, Ranji practised with his right leg tied to the ground. From there he found he could move his left leg across and flick the fast leg-side ball behind him in unorthodox fashion and the leg glance emerged, or at least it was popularised. (Who can say, in such an uncatalogued world, who was the first to do anything?)

Technique was not born with the game. It has always been a fluid thing, although for the best part of a century, while orthodoxy thrived in an orthodox and ordered world, it appeared to be an outpost of the stiff upper lip, administered by the MCC Manual and passed down in tablets of stone from one generation to the next.

When I was a slip of a lad I spent every winter Saturday at Alf Gover's school on the East Hill in Wandsworth. Many great players walked in through that slender side door (and many more, like me, who were far from great did too), but everyone who went passed under Alf's stern yet benevolent eye, and all would hear his famous cry of "one to drive" as he lobbed down one of his round-arm deliveries.

It would be hard to imagine someone more traditional than Alf - I never saw him without a crisp white cravat around his neck, England sweater stretching almost to his knees over immaculate cream flannels - but as a coach he adapted his principles to the individual. I saw plenty of West Indian and South African players there, who, by the standards of the day, were wild and instinctive, and all were encouraged to hit the ball and express themselves. There was a famous story that Alf told Vivian Richards he wouldn't make it because he hit across the line of the ball, but I never believed that. He may have advised him not to do it on early-season English pitches, but Alf would have recognised genius when he saw it. Here he is on the young Brian Lara, writing in the Cricketer magazine: "He had plenty of natural ability and we concentrated on enlarging his range of stroke play."

The great coaches understand the fluidity of technique, the role of imagination, the constant forward momentum of the game. Bob Woolmer's The Art and Science of Cricket, a book as meaningful in its way as Ranji's, incorporated a new level of research and sports science, a hint at an approaching future where some of cricket's great mysteries would be unravelled and studied. Yet even in his title he balanced it with the use of "art", because cricket is a game of artistry, a game that offers Graeme Smith and David Gower the same leeway in the methods of getting it done.

That's why it will be fascinating to see how Andy Flower envisions the future of coaching in his new role. To have responsibility for the development of coaches as well as players is truly to have his hands on the wheel. It's hard to think of anyone who has been handed such an all-encompassing brief in English cricket. Luck will play its role - Lara and Smith were born not made - but if there's a criticism of Flower's Loughborough empire, it's that the scientific revelations emerging from their studies are edging towards a homogenisation of technique, a regimentation governed by statistical analysis.

What would be fascinating, and revelatory, would be a book from Flower, a contribution to the literature of thinking about the game set down by Ranji (or CB) and Woolmer. It seems to go against Flower's somewhat opaque public image, but it could bring a new and welcome openness to English cricket's monolithic corporate face.

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Keywords: Coaching, Technique

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Posted by Insightful2013 on (March 7, 2014, 0:12 GMT)

I must apologize for this post. I just read it and have seen the poor vocabulary and punctuation. My assistant wrote it while I dictated and that is why he is only my assistant. Do forgive. I also hope this isn't a slur on Windies cricket or system, because I only saw the most brilliant cricketers there. They were the most welcoming and happy people. Which is what effects their dedication, I think. They haven't got the hunger and ambition of others. I suspect less stress related illnesses as well.

Posted by   on (March 5, 2014, 23:06 GMT)

@py0alb - regarding steven finn shouldn't the blame go to the bowling coach instead of flower as it is he who "coaches" finn. root and bairstow agree completely - they really messed up with him. One minute he is opening, then he bats at 6 and then he is at no3. Same can be said about baristow - one minute he is at no 6 other minute he is keeper.

Posted by 2929paul on (March 5, 2014, 16:46 GMT)

py0alb on (March 5, 2014, 0:08 GMT) Flower was the batting coach before he took over from Moores. Recently Gooch has been the batting coach and Saker the bowling coach. As technical coaches, Gooch and Saker come from the school of doing as little as possible with the elite players unless it goes wrong. Then they try to help them work it out. Flower is a much better technical coach. Sometimes doing nothing and waiting for it to go wrong doesn't work. Good coaches spot where faults are developing and correct them as they go along.

Posted by vinjoy on (March 5, 2014, 1:21 GMT)

Interesting take on coaching. In addition to everything else, coaching is about 'culture' also. For how well the coach, the team, the administration, and the support staff bring together themselves to a 'common team culture'! I sense that a majority of recent coach-team pitfalls (Moore-Pieterson, Ross Taylor, and few others..) have had issues of 'cultural adjustments' as well.

Posted by py0alb on (March 5, 2014, 0:08 GMT)

Remind me again who Flower has actually coached, rather than simply (mis)managed? Steven Finn is the obvious example of a genuine coaching intervention, and if the success he has had there is anything to go by, I won't be buying the book, thanks very much.

Joe Root? Jonny Bairstow? Both have significantly regressed under Flower's tutelage. When are we going to recognise him as a incompetent coach? Please make it sooner rather than later. I wouldn't let him within 100 yards of my U12s.

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ABOUT THE AUTHOR

Jon Hotten
Jon Hotten is the author of Muscle and The Years Of The Locust, neither of which is about cricket, and writes the blog The Old Batsman, which is. @theoldbatsman

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