Michael Jeh
The tourists have no excuses for their poor showing. They have simply not been good enough against quality bowling on lively pitches
Players insist that what's said on the field doesn't affect them, but then why do it at all? And why go up in arms when someone seemingly crosses the line?
Michael Clarke has gained praise in some quarters for showing mongrel by sledging. What sort of message does that send?
A Brisbane newspaper's campaign to vilify Stuart Broad has backfired spectacularly, and deservedly, as it wrongly portrays Australian fans as churlish and immature
"Sometimes, even with the purest of intentions, we make things worse when we try to make them better". -- from Shantaram by Gregory David Roberts
Is his image a carefully constructed bubble that will one day be pricked? Everyone I have asked emphatically disagrees
A certain famous legspinner has shown he does not quite get leadership - in contrast to the two captains in the upcoming Ashes series
Scoring at more than six runs per over no longer comes fraught with huge risk and considerable damage
Do kids as young as eight need the protection, or do helmets just hamper their batting technique?
Where are the bowlers who consistently land balls in the blockhole at decent pace?
Aka the cricket stroke that can move medical professionals to poetry
no matter how good you are,
whomsoever you may be,
a right hander can't cover drive
the way a left hander can.
You might drive with elan,
strike a classical pose,
high left elbow in a checked follow through,
or go down on one knee with a flourish of the bat,
but you'll never match
the beauty of a lefthanded drive.
Sachin is efficient, Viv imperious,
Aravinda and Vengsarkar classically correct,
and yet
a lefthander's drive makes them look commonplace.
Gower was fluid, liquid limbs trickling into the stroke.
Sobers was elegant, Pollock sublime.
At the SCG, Waugh placed three men for one shot.
Lara's drives made leaden-footed statues of them all,
as tracer bullets bound for the boundary flew past.
Don't get me wrong, left handers can do it ugly.
Border punched his drives with a short arm jab,
and Clive clubbed them with a three lb bat,
but they only did that to make right-handers
feel better about themselves.
Of today's practitioners of the art,
one man stands in a class apart.
Sangakkara flows into the drive.
From a perfect head-still stance, he unfurls,
right foot moves forward, right elbow high,
bat comes down in a textbook arc.
Batsman and bat fuse into one,
for one purpose. For one instant,
as willow meets leather,
there is perfection.
There's purity in the stroke,
snow-on-a-mountain-top purity,
turquoise-meltwater-stream purity.
So, to see real beauty,
seared in the brain, never to be forgotten, heart-stopping beauty,
go and watch a lefthander drive.