Christian Ryan
Writer based in Melbourne. Author of Golden Boy: Kim Hughes and the Bad Old Days of Australian Cricket

There's something about Warner

From one-trick slog pony to Test cricketer - and, as always, the children knew first

Christian Ryan

December 16, 2011

Comments: 27 | Text size: A | A

David Warner plays a lofted drive, Australia v New Zealand, 2nd Test, Hobart, 4th day, December 12 2011
Warner: all forearm and wrist © Getty Images
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At ten past three last Sunday at Hobart's rainswept, near-empty cricket ground, David Warner let loose a straight drive like the one Sunil Gavaskar used to play, except Gavaskar played his with such bowler-monstering regularity that the commentators invented a name for it. The "bowler's-back drive" - because no sooner had the ball left the bowler's hand than that's where it was, back at him. Warner dispatched his version with still feet and a lightning wrist snap. It rolled right of bowler Tim Southee and kept rolling, even though the grass was wet, taking his score from 25 to 29.

The afternoon before that, a straggle of children huddled boundaryside around TV commentator Mark Nicholas. Try as he might to interest them in chat about fried chicken and the android wondrousness of Channel 9's U-Be-The-Umpire phone app, these boys and girls were not for distracting. "Warner," Nicholas sighed finally, suave crinkles of bafflement sweaty on his head - Warner was the thing on their brains. Warner was at that moment a convicted one-trick slog-pony on his third strike as a Test cricketer: 3, 12 not out, 15. But the children knew best, and first, as children occasionally do.

It used to be the way that in the event of humiliating defeat for Australia at cricket the nation's newspapers would gang together and put tennis on the back page instead. Yet in the days since Australia's fourth-innings capitulation to New Zealand for 233, 123 of them Warner's, there has been a flap of panic about the 233 and not a lot of stopping and savouring the 123.

Sixth Australian since the war, we heard, to carry his bat. It felt hard to credit there'd been five innings ripe for comparison with Warner's. When Warner plays at the ball he plays with forearms and wrists. Not till after ball's hit bat do his feet tend to move, resulting in an ungainly toppling towards off, even for his fence-bound shots. This chronology - arms, hands, feet - is roughly the reverse of the batting manual's best advice but steadfastly faithful to Warner's Twenty20 approach, where his stationary feet provide the base and ballast needed for his swivelling hips and high hands to skim the ball Babe Ruth-style into the bleachers.

If your policy is to cherry-pick the batting manual, a lot hinges on which clauses you choose to underline in red pen. And Warner kept the ball along the ground - almost obsessively. He rotated the strike. A flicked single taking him from 53 to 54 was strangely reminiscent of the famous Greg Chappell hip shot, except Warner flicked his from a foot outside off stump; a carpet-scorching single hooked off his throat inched him to 61.

On 64 he hacked and missed outside off. Next ball he hacked again - and hit - so heeding the trusty textbook aphorism that says you forget what happened last ball and treat the next one on its merits. Warner dealt not merely in singles but in old-fashioned threes, seven of them, which is to say a modern-day smorgasbord; two more than Virender Sehwag bothered with in his 309 (three) and 319 (two) combined. Today's lumberjack bats mean a push-and-scamper can reap you only one less run than a boundary at a fraction of the risk. Warner is wiser to these mathematics than most. The sport's high-performance jobsworths label him a "controlled power hitter" in Twenty20; playing Test cricket in Hobart, he resembled more closely a controlled power pusher.

 
 
This chronology - arms, hands, feet - is roughly the reverse of the batting manual's best advice but steadfastly faithful to Warner's Twenty20 approach, where his stationary feet provide the base and ballast needed for his swivelling hips and high hands to skim the ball Babe Ruth-style into the bleachers
 

Amid thickets of tumbling wickets, only Warner could see the trees. On reaching 100 he rejoiced with a brisk air-punch, a leap, a doffing of his helmet, and a salute. Had Channel 9 master control tried squeezing in a chicken ad they'd have missed the next ball. When Warner said afterwards, "It's fantastic but we lost and it's disappointing," the words smelled like truth. He said, too, that what he'd done had yet to sink in. There's a sense, more widely, even now, that it still hasn't; a sense of reluctance to believe. If we are right about the Yeti and the Tooth Fairy, must we not be right about Davey Warner too?

Twenty-six summers ago there arrived a cricketer with a buzzcut and earring - scarcely a cricketer at all, wise men tut-tutted, though the young people seemed to like him. Matthews was his name. Stupendous to say, he carved out a streetfighter's hundred at the Gabba. And another in calamity in Melbourne. Then one more, for luck, in Wellington. Children clapped when he came on to bowl his offbreaks. Magazines hoisted him on their covers. The board appointed him third selector - "National selector! That's a big rap, man" - for a trip to Sharjah and he seized the Test-tying wicket in Madras. Finally the wise men threw up their hands. "He is the one person now entrenched in our game," wrote Bill O'Reilly in the Sydney Morning Herald, "who possesses the divine touch that will fill cricket grounds… I congratulate all those kids who beat me so smartly to the point."

Three hours after Warner's innings was over I wandered down behind where the number 96 tramline runs, to Lindsay Hassett Oval, where a scruffy mixed-ages match was underway on a matting wicket, the red shirts against the grey shirts. I saw a chinaman bowler bowl; a sticky-fingered slips catch; a slog-sweep for four. I saw a cricket country's future and it looked in shipshape health. After about 10 minutes a boy pounced on a ball a foot outside off stump and flicked it round the corner, sort of like the famous Greg Chappell hip shot, sort of like something else. The boy holed out. Pretty soon, though, someone's going to have to think up a name for that shot.

Christian Ryan is a writer based in Melbourne. He is the author of Golden Boy: Kim Hughes and the Bad Old Days of Australian Cricket and, most recently Australia: Story of a Cricket Country

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Posted by RandyOZ on (December 18, 2011, 2:40 GMT)

Probably the most promising talent in world batting along with Darren Bravo. THis guy is the next Hayden and already looks better than all English batsmen including the highly overrated Ian Bell.

Posted by Stark62 on (December 17, 2011, 21:43 GMT)

I don't think T20 players will be suitable for Tests like Warner because he already had an outstanding average of 61.83 in FC cricket which, clearly shows his got the skills for the longer format.

For example; Pollard is a great T20 player but realistically can he play Tests? I don't think so!

Posted by Rahulbose on (December 16, 2011, 19:50 GMT)

It is early days to tell. But one wonders is this the future, players graduating from T20 to play test matches. Warner though could be an one off, his batting in the test match had no shades of T20 play. And as with other unorthodox players, early success can be misleading. He will face tougher challenges as teams work out his strengths and weakness.

Posted by   on (December 16, 2011, 15:27 GMT)

if warner can be 50 percent as good as sehwag then its great job done sehwag scores in sa debut series green top 1match in test hundred than in england green top hundreds and fifties debut series debut series australia first match 195 first day smashed scored against murli mendis turner 201 smashing in world cricket even tendulkar lara has not a kind of impact like sehwag 201 in lanka turner againstmurli mendis strikerate of 80 cant rememberanyone guy averaging 53 strike rate 84 once in a lifetime guy warner can benext sehwag but can take a time selectors mustkeep faith in him but beware of copaying sehwag because he is just out of the world

Posted by   on (December 16, 2011, 13:48 GMT)

fatboy dinsh chandimal is nothing in comparison to talent of kohli and warner edwards is exciting akmal has not proved in tests even in one days only one hundred kohli 8 hundreds in 65 matches average 47 rohit sharma is talented than most of these guys with dwayne bravo ala lara and rohit sharma sachin clone new lara and sachin are there we will miss both lara and sachin

Posted by YorkshirePudding on (December 16, 2011, 13:35 GMT)

@Kaze, sorry, however, technically its his debut series, it was his second test, I missed the first Test scorecard.

Posted by jonesy2 on (December 16, 2011, 13:30 GMT)

Sir_Freddie_Flintoff --- while i cant take you seriously first off because of that name. hughes will become a better batsman than every pommy batsman, what does that tell you?

Posted by HatsforBats on (December 16, 2011, 12:14 GMT)

Is it just me or is there something very Katich-like in the way that Warner roles his wrists through his cover drive?

Posted by Kaze on (December 16, 2011, 11:49 GMT)

@YorkshirePudding That wasn't his debut.

Posted by YorkshirePudding on (December 16, 2011, 11:34 GMT)

Warner looks a good opener, and a lot better than Hughes, if partnered with Watson or Marsh that might create a good stable opening pair that the Australians missed in the Ashes once Katich was out with injury. Its also a little too early to say if hes the real deal, but a 100 on debut is a good way to start a career. I'm looking forward to see how he performs in the run up to 2013, as it looks like hes got something about him.

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Christian Ryan Christian Ryan lives in Melbourne, writes and edits, was once the editor of The Monthly magazine and Wisden Australia, and now bowls low-grade, high-bouncing legbreaks with renewed zeal in recognition of Stuart MacGill's retirement and the selection opportunities this presents. He is the author of Golden Boy: Kim Hughes and the Bad Old Days of Australian Cricket and Australia: Story of a Cricket Country

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