Matches (13)
IPL (3)
Women's Tri-Series (SL) (1)
HKG T20 (1)
WCL 2 (1)
County DIV1 (3)
County DIV2 (4)

Tour Diary

Maximum passion, minimum rewards





Cri-Zelda Brits - 'If people aren't aware that we're playing, they won't come and watch us' © Cricinfo Ltd
As the 22-year-old Morne Morkel summoned up a performance that was sure to catch the eye of the national selectors, an established international sat and watched from the space behind the sightscreen. Though Cri-Zelda Brits is only a year older than Morkel, she has already played 22 ODIs and three Tests for her country, opening both the batting and the bowling during the women's World Cup that was held in South Africa in March-April 2005.
Unfortunately, such is the nature of women's cricket that neither she nor her team-mates have played an international since a three-match one-day series against West Indies soon after their World Cup engagements were over.
The World Cup campaign was hardly a success, with four losses and a solitary win against West Indies. Brits, though, played her part, making 72 and taking 4 for 37 in the thrilling one-run victory over West Indies, and contributing scores of 49 and 46 against Australia and England. And in her last outing, in the series against West Indies, she made an unbeaten 62 in an emphatic ten-wicket win.
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Trumpet involuntary

I don't think I can ever have been so pleased to hear the Barmy Army in full cry than I was on that final morning at Brisbane

Andrew Miller
Andrew Miller
25-Feb-2013
I don’t think I can ever have been so pleased to hear the Barmy Army in full cry than I was on that final morning at Brisbane. “E-verywhere we go-oh!” came the chorus, just as Kevin Pietersen, England’s last hope, was dispatched by the fourth ball of the day. “The pe-ople want to know-oh!” they continued, in defiance of all evidence to the contrary. “Whooo we are-ah”, they blundered on, as the teeth of 100 journalists were set indisputably on edge.
They are noisy, nauseating, and unspeakably tuneless, and when you’ve heard that witless chorus once, you’ve heard it 1000 times - usually when you are right on deadline and desperate for some peace and quiet. And yet, for the first (but on today’s evidence, maybe not the only) time in my life, I was delighted to hear them break into song. Never mind the noise pollution, it was a victory for free speech, free spirits and futility - which, like kittens and warm-woollen mittens, are a few of my favourite things.
But if we thought the nonsenses at the Gabba had been forgotten amid the tranquillity of the Adelaide Oval, then today’s press release from Cricket Australia has confirmed once again that, in this country, good humour is an item to be surrendered at all turnstiles. “Cricket Australia clarifies Barmy Army trumpet,” read the improbable headline, followed by 16 (sixteen!) paragraphs of justification for the continued expulsion of the Army’s cause célèbre, Bill Cooper, and his meddlesome brass instrument.
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This is the real Australia

Only now do I feel I've arrived in Australia

Andrew Miller
Andrew Miller
25-Feb-2013
Only now do I feel I've arrived in Australia. Don't get me wrong. I really enjoyed my time in Queensland (even though the cricket was desperate). I had a nice day on the beach to recover from my jetlag, my digs were impeccable throughout, and the native flora and fauna seemed to queue up to pay me a visit. I saw a possum on the verandah and a family of kangaroos in the park. We passed a gumtree plantation on the way from the airport and I got squawked at by a flock of rainbow parakeets as I stepped out of the car. Had I wanted to cuddle a koala, I could have made a quick detour to the Lone Pine Sanctuary, some ten minutes down the road. But that's not really my scene.
But in spite of this sensory bombardment, something had been missing throughout. Something obvious, but utterly overlooked as the chaos of the cricket unfolded. It's only now, as I sit in the press box at the Adelaide Oval, watching the sun setting on the famous old scoreboard, as the earthy red roof of the Sir Edwin Smith stand begins to turn deep pink in the fading light, that I've realised what it is. It's context, stupid!
You see, I have lived and breathed the last four Ashes tours, from Gooch's disaster in 1990-91 through Atherton's disaster in 1994-95 to Hussain's disaster in 2002-03, and in that time, the nuances of each venue have become inscribed on my soul. Melbourne's Great Southern Stand, The Fremantle Doctor, the Ladies Pavilion at Sydney. But up at the Gabba, I was left completely non-plussed. Where was the history, except in rather indifferent snippets on the walls. Where was the old dog track of my mind's eye, except beneath a ton of concrete.
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