Indian cricket August 20, 2012

When Laxman batted, nothing else mattered

Rutvij Merchant
Laxman's technique is marked by little footwork and a tendency to hang back in the crease that fosters an air of vulnerability around his batsmanship. Perhaps, it is this apparent susceptibility that creates a sense of beauty and delicacy

In the late 1990s, aged seven, I watched my first India-Pakistan match in Sharjah. I have vivid memories of screaming, "Jeetega bhai jeetega, Hindustan jeetega (India will win)," infused with patriotic fervour. But regardless of which side won, all I wanted to see was a Saeed Anwar hundred. Representing the true power of sport, his peerless timing derived from wrists uncocking just the right amount to caress a drive to the boundary, made me forget all vestiges of national allegiance, rendering jingoistic thoughts petty in the face of an artist at work.

Similarly, when Laxman announced himself with a silky 167 in Sydney on the 1999-2000 tour of Australia, cricket found its muse and a love affair began.

I find it very hard to put into words the one quality that touch players such as Gower, Anwar and Laxman have that can send you into rapture. They lack the consummate perfection of a Tendulkar, the cocktail of arrogance, timing and power of a Lara, the technical excellence of a Dravid; indeed Laxman's technique is anything but classical, marked by little footwork and a tendency to hang back in the crease that fosters an air of vulnerability around his batsmanship. Perhaps, it is this apparent susceptibility that is a necessity, the fragility creates a sense of beauty and delicacy in every flicked pull and supremely-timed back-foot punch that flows from his blade.

Further, for someone whose technique can be construed as a weakness, he has exhibited a remarkable ability to perform when his country needs him the most. A 103 on a fifth-day turner at the P Sara Oval, 73 in Mohali against Australia, the instances are numerous ... This capacity to just simply bat when the pressure is immense is what, in my opinion, truly makes Laxman special.

Watching him at such times is akin to a spiritual experience due to the sheer equanimity that he exudes, rendering the match situation almost obsolete even in the eyes of the viewer. Whether 77 for 4 chasing 250 in the last innings, or 300 for 4, once Laxman is in and the effortless weight transfer through the crease and the supple wrists coax a flicked on-drive to the fence, it all feels the same, the tension associated with India struggling simply dissipates. The precarious situation is forgotten; in fact it is reduced to the status of something quite inconsequential, as you are ensconced in a bubble, where the only thing that registers is his batsmanship. This astounding ability to blissfully bat on normally, regardless of the pressure, rubs off on the viewer; his style simply pushes aside the strife.

An archetypal middle-class Indian background has helped him wear his greatness lightly too. When my uncle met him on tour in the West Indies, he proved remarkably forthcoming. They exchanged emails, which my uncle assumed was simply an act of courtesy until he was surprised on his return home by Laxman inquiring as to a safe journey back, my uncle's thoughts on the tour and the well-being of his family. Undoubtedly, an act of immense humility that provided me with an insight into his dignified character, an aspect that will in all probability be missed as much in the dressing room as his cricketing prowess.

With the changing times, a propensity to hammer the ball into space is evident, with far more emphasis placed on the product rather than the process. Caressing boundaries in a way that the cherry itself would almost want to come back asking for more made Laxman probably the last bastion of a dying breed. This decline of the touch player is extremely disappointing as, though they may not be many things - such as adept at Twenty20, or capable of mammoth hits (Laxman has just five sixes in Test cricket) or innovative strokeplay - only they manage to uplift batting to an art form, allowing the viewer a momentary glimpse of a higher, purer game that got lost somewhere along the way.

Laxman retires, with no significant batting record to his name, but somehow it makes no difference. Any records that he does hold may be overtaken, but the manner in which they were set will never be simulated. For now, all we can do is pray that Youtube never goes bust since the emergence of another player of VVS's ilk looks increasingly unlikely.

Perhaps, I should leave the last words to Tendulkar: after his and Laxman's 353-run partnership in Sydney in 2004, where Tendulkar was the model of extreme self-restraint, he said: "I had just decided to stay there … and watch from the other end."

Comments have now been closed for this article

  • testli5504537 on September 19, 2012, 12:45 GMT

    Last two para defines the character of VVS.. Talent like him can never be found nor replaced.. He is one of his kind!

  • testli5504537 on August 31, 2012, 12:51 GMT

    Awesome article. What India will miss apart from Laxman's batting and slip catching is his ability to tire the opposition and break their resolve when he plays a long innings. Don't understand what I mean? For me he is a unique batsman because his timing is such that the ball picks up speed after it crosses the 30 yard circle. It always teases the fielders and gives them hope that they can may be prevent it from reaching the boundary. Watching him bat was always a pleasure. We will miss his surgical precision in finding gaps between fielders, his amazing wrist work,lazy elegance and the calmness he used to bring when he was at the crease irrespective of the match situation.

  • testli5504537 on August 28, 2012, 13:29 GMT


  • testli5504537 on August 27, 2012, 15:06 GMT

    rutvij...your article is really well written - I think you should start a blog - agree?

  • testli5504537 on August 22, 2012, 17:59 GMT

    Among the legend cricketers that Hyderabad produced, Laxman will stay on top. Inspired by his fellow cricketer azher, the master wrist stroke play work seems to be an instinct of the southerners. Hats off to the great Laxman, he called it a day on the right time. we wish him happy post cricketing life off the field.

  • testli5504537 on August 22, 2012, 13:17 GMT

    Brilliantly written, we will miss VVS :(

  • testli5504537 on August 22, 2012, 13:09 GMT

    Very well written. Thank you

  • testli5504537 on August 22, 2012, 9:01 GMT

    Sunil Gavaskar while commentating a test match in Australia had exhausted all adjectives to describe the strokes played by VVS. He then chose to sum it up by saying ohhhhhooooooooohhhhhh.

    That to me was the best description of the strokes he played on that tour.

  • testli5504537 on August 22, 2012, 7:14 GMT

    well done rutvij! very well written !

  • testli5504537 on August 22, 2012, 2:40 GMT

    Test Cricket will miss one of the most delightful Stroke-maker & one the game's True Gentleman. When Laxman is batting, there is not one bit of clumsiness in his movements - it is like Poetry in motion - it is like watching a Painter's wristy use of his Paint-Brush - it is so soothing on the eye ! I will miss you whenever I will be watching Test Cricket. with fond memories, Dr. Ahad Khan - Sydney

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