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India Women cricketer Snehal Pradhan writes on her blog that the current women's side resembles the India men's team of the 1990s, which was "famously talented and infamously inconsistent." She hopes that Mithali Raj's team can turn it around just like the men did in the 2000s.
The doldrums of the '90s must give way to the genesis of a new fate. The ingredients are all there. Younger, fitter players have been proving their international credentials over the past couple of years, and some prodigal talent is bubbling under the surface. Only a catalyst is required. Just as the men went from being a one man batting line up to a team with a big three and a big four, the women have the quality to find themselves similarly positioned.
Joe Wilson in BBC Sport traces the remarkable arc of women's cricket in England, comparing the times in which former allrounder Enid Bakewell and current England captain Charlotte Edwards have played their cricket. Of the many memories Bakewell has in her rich career, one is of playing a Test against Australia at Lord's in the 1970s, when the famed Long Room was open only to men.
"It wasn't until 1976 that Lord's let us have a televised match there, and when we first went there I don't think they were going to allow a woman in the scorebox," she says.
"We didn't know if we could use the changing rooms, and we certainly didn't know if we could go through the Long Room. The Aussies didn't know about the tradition of the Long Room, so they walked through - and we followed them."
Women's cricket has been gaining acclaim in recent times and Australia's efficient defence of their World T20 title was another advertisement of their catching up with the men's game. It was set up by an attractive brand of play that has diverted attention squarely on their skills on the field and Greg Baum, in the Age, believes this is only the beginning.
Australia's women cricketers are under the same umbrella as the men, are paid more handsomely than ever before and in recent seasons have played some of their short-form internationals on the same grounds and days as the men. This was the case in Bangladesh, and in the previous women's World T20 in Sri Lanka. Presently, this coupling gives the women's matches the status and appearance of curtain-raisers. In time, they might be seen as authentic double-headers.
Claire Stewart, in the Sydney Morning Herald, details her journey exploring what cricket meant in Afghanistan. She learns the passion it brings forth, with the President said to have called the Afghanistan team the new national army. Support for the women's game, though, is less forthcoming under present conditions and wandering to the stadium without company is unsafe for the same reason. Still with Mohammad Nabi's men, beating a Test nation in their first Asia Cup and qualifying for the World Cup in 2015, cricket is seen as more than an a mere sport.
The only external cricket representative not to let security concerns keep him from visiting the ACB in Kabul during the past 12 years is former Pakistani player, and now ACC representative, Iqbal Sikander. He sits in Murad's office discussing the economic viability of different equipment providers while recounting tales of his time in Australia as part of Pakistan's victory in the 1992 World Cup. "Our only objective is that we want cricket bats in the hands of the youngsters instead of guns," says Sikander. "We want them to stay away from drugs and trouble."
Japan's Shizuka Miyaji is currently training with the New South Wales Women's team, sharpening her chinaman skills under the watchful eye of captain Alex Blackwell. Her six-month stint in Sydney is a considerable step up, after some of the other means Miyaji had to use to learn the game, writes Carly Adno in Australia's Telegraph.
"These kids learn how to play cricket from watching on Youtube. They'll be watching Shane Warne bowl his leg breaks and then you see them go out and try to do the same," Blackwell said. Miyaji is training with NSW and playing first-grade cricket with Universities and Blackwell is confident she will make enormous strides during her time in Australia. "So that's really how the kids in Japan become familiar with cricket because it isn't on live TV anywhere."
Charlotte Edwards described reclaiming the women's Ashes as the "proudest moment" of her career. Speaking to Oliver Brown of the Telegraph, she was pleased with the spike in interest for women's cricket, with all seven matches of the series well-attended and reminisced about her earliest memories of cricket, including the moment that paved way for her 17-year career.
"I watched my father play every week, and I know I wouldn't have achieved what I have otherwise," she explains. "We're very lucky now, though, that girls don't have to rely on their background to get into cricket. The opportunities, whether in terms of one-or-one coaching or the ability to compete in all-girl cricket in schools, are so much greater." A family visit to England's victory over India during the 1993 World Cup would decree her fate. "We all ran on to the pitch afterwards," she remembers. "I knew in that moment that I wanted to play cricket for a living."