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Eric Ravilious' vision of cricketers in top hats has featured in 76 editions of the Wisden Almanack, but very little has surfaced about the man himself. Rupert Bates, in Wisden India, charts Ravilious' history from his less-than-attentive stints on the cricket field to possible sources of inspiration for the iconic engraving.
He said the game went on "a bit too long for my liking and I began to get a little absent-minded in the deep field after tea". He made one not out in defeat, and bowled a few overs. "It all felt like being back at school, especially the trestle tea with slabs of bread and butter, and that wicked-looking cheap cake." He went on to record the comment of the Double Crown captain Francis Meynell that his bowling was "of erratic length, but promising, and that I should have been put on before. Think of the honour and glory there."
The Great Tamasha mirrors India's rise as a nation to its rise as a cricketing power. James Astill, author of the book, documents the evolution of cricket - with its introduction during the British era to its extravagant and controversial avatar, the Indian Premier League. Speaking to Will Davies of the Wall Street Journal, Astill explains his take on the sport that verges on obsession in the country and believes it is an apt tool to describe the India's story.
I wanted to tell that story, but not through the usual all-India generalizations - not from the usual New Delhi vantage. There have been too many books like that already. Rather, I wanted a unifying theme or a story, which would allow me to reflect on India's broader narrative. And it was only natural that I found this in Indian cricket - which is spectacularly rich and politically powerful, also riven with infighting and corruption, and just unbelievably popular. Most of India loves it. And I love it too
Dicky Rutnagur, veteran journalist for Hindustan Times and the Daily Telegraph passed away on June 21. Tony Cozier in the Stabroek News reminisces about sharing a press box with "the voice, spoken and written, of Indian cricket through three decades"
I cherish a picture of the two of us in the Bangalore Test during the 1974-75 West Indies tour (later carried in Wisden), Dicky's face wreathed in the typically impish smile that signaled he was holding forth with some yarn or the other. He made friends, and admirers, easily. Wherever his career took him, he had the respect of cricketers of all generations. The tributes that have followed his death confirm that impression.
Raju Bharatan in the Hindu, describes why Rutnagur was good enough to cover over 300 Test matches.
He was to cricket what Zubin Mehta was to music. He conducted himself as the quintessential professional. Not for him the literary flourishes of a K.N. Prabhu or an N.S. Ramaswami. Dicky Rutnagur was first a reporter, only then an opinion moulder. His smooth narrative style held you spellbound. This was reflected in the absorption with which his Editorial Musings and his day-to-day account of Test matches were read -- months after the events took place.
Amit Roy in India's Telegraph paints the various facets of Rutnagur's life - the journalist, the man, the cricket lover and devout Zoroastrian.
One reason I wanted Dicky at the Lord's lunch on Friday was because of what he felt about the ground. I had asked him about the world's most beautiful cricketing venues when I had done a formal interview with Dicky in 2005. "Lord's, of course," he replied. "My hair still stands on end when I go through the Grace Gate (the main gate at Lord's) after all these years. It is a privilege to go to Lord's. I will wear my best clothes to go to Lord's always, even for a county match."
Rutnagur was as noted for his pranks as he was for his opinions on the game, writes R Mohan in Mid-day
A few may have suffered at the hands of the press box joker that he was reputed to be. You were not initiated into cricket journalism until you had been doused by his water pistol. Mercifully, he carried it in days when security was not the watchword it is, otherwise he may have had a tough time explaining what a gun was doing amidst the paraphernalia.
In a piece in Man's World magazine, Sharda Ugra shares her experience of being a ghostwriter on two vastly different cricket biographies - John Wright's Indian Summers and Yuvraj Singh's The Test of My Life: From Cricket to Cancer and Back.
Now that the books are done, in hindsight, I think it would be close to impossible to take on an ultramarathon without either affinity or respect for the subject. A key commandment? Abandon your ego and your own stylistic imprints, replicate the narrator's own voice. The book, after all, belongs not to you but to the sportsman whose life it contains. It is he who must speak, authentically and credibly, to the reader and hold their attention. That's what you're there for.