Michael Simkins on the only man who could drag him from the sweetshop

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Jim Parks: Crinkly-haired, sun-tanned, his face permanently creased into a broad smile, he seemed the embodiment of Sussex
© The Cricketer International
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The actor Tom Courtenay once glumly remarked to me as he scanned the football results for his beloved Hull City, "You don't choose the team you support ... It chooses you."
I already knew. I grew up in a sweetshop on the south coast, a short bus ride from the home of Sussex County Cricket Club, and from the first time I saw them, as a 10-year-old boy in 1967, I was hooked. The team I had stumbled on was like my favourite chocolate bar (which at the time was Macintosh's Caramac): packed with good things but likely to raise your blood pressure if you indulged yourself for too long. And the batsman who could most quickly send my sugar level soaring was Jim Parks.
Crinkly-haired, sun-tanned,
his face permanently creased
into a broad smile, he seemed
the embodiment of Sussex. He
was already a star of the side.
He had played for the county for
18 years and was just finishing
a Test career as England's
wicketkeeper-batsman.
As it happened my first
glimpse of him in that
summer of '67 coincided with
a particularly unhappy stint as
Sussex captain. But the nation's
loss was my gain: after giving
up the international gloves to
Alan Knott and the domestic
captaincy to Mike Griffith his
form returned. He barely missed
a county match for the next five
years and I was there to witness
most of them.
Parks was, of course, a fine
keeper but it was his wonderful batting that attracted me. In a
fragile post-Dexter batting order
the accepted wisdom among the
stripy deckchairs and wheeling
seagulls at Hove was that as long
as Parks was still at the crease
hope sprung eternal. It is a motto
I still believe in today.
A batsman of stinging drives
and jaunty footwork, he seemed
to play the game as it should be
played, with total commitment
yet without a hint of malice
or pretension. Although a
destructive one-day player, he
always seemed to be enjoying
himself whatever the occasion.
I always imagined he was the
sort of bloke who carried a bag of
Fox's Glacier Mints in his pocket.
For the next five years Jim
Parks was my hero. I collected his
autograph so many times that he
must have thought I was learning
to forge his signature, and his
autobiography, the unfortunately
titled Runs in the Sun (my mum
always said it sounded like
something you'd pick up on
holiday), was the most cherished
of my burgeoning collection
of second-hand cricket books,
especially when I discovered a
letter sent from the author to
the previous owner of the tome
nestling among its pages.
In 1970 I watched in mute
supplication as he stood alone
against the might of Lancashire
in the Gillette Cup final (my first
trip up to the home of cricket
and one which provided my
first pre-pubescent experience
of heartbreak). At Eastbourne
the same year I saw him strike
a sublime and effortless 150
against Essex, bringing up his
hundred by driving the ball
straight into my sandwiches on
the boundary edge at deep extra
cover. But mostly my memories
are a patchwork of wonderful
40s or 50s, usually seen after tea
when I could escape from school,
often with Sussex up against it
and always in even time.
I tried copying this talismanic ceremony for myself in school cricket until told to "bloody well stop arseing about" by my games master
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It took the sharp eyes of my
dad, accompanying me to a John
Player League match while on
a rare break from sweetshop
duties, to spot that Parks, while
batting, performed an intricate
and involved ritual of bat-twirling
and box-tugging before
each ball, finishing always with
him transferring the bat from
right to left hand and sweeping
it momentarily across the return
crease before settling down for
the next delivery. I tried copying
this talismanic ceremony for
myself in school cricket until
told to "bloody well stop arseing
about" by my games master.
When Parks was summarily
dispensed with at the end of
1972, much of the sparkle went
out of cricket at Hove and when,
the following season, I saw him
keeping wicket for Somerset it
was a surreal and disturbing
image, a bit like discovering
your dad dressed in women's
clothing. It was typical of Parks
that he forgot and forgave,
eventually returning to the club
as marketing manager and later
president.
Nowadays the feisty, up-and-
at-'em team spawned by
the Moores-Adams dynasty
seems a far cry from the
sunny unpredictability of four
decades ago. Nonetheless I was
at Hove along with 3,500 other
disbelieving souls to watch their
first Championship pennant
unfurled in 2003. As Murray
Goodwin pulled the ball to the
boundary to bring up the bonus
point that sealed the club's
first Championship, I glimpsed
Parks sitting quietly on the
railing of a staircase at the side
of the pavilion enjoying the
celebrations. Alone, unnoticed,
his smile was as broad as ever.
And then, earlier this season,
while strolling round the
boundary at Arundel I finally
met the man. I was too dazzled
and tongue-tied to ask him about
his batting ritual or whether he
had indeed a penchant for
Glacier Mints: but it was
something special. As an actor of
nearly 30 years standing I've met
and chatted with some of the
greats: Tom Courtenay, of course,
Ian McKellen, Anthony Perkins,
Lauren Bacall, even Benny and
Bjorn from Abba. But I tell you:
none of them comes close.
This article was first published in the September issue of The Wisden Cricketer.
Click here for further details. Michael Simkins is an actor and author, usually seen on TV playing experts or unsuspecting husbands. His latest book - Fatty Batter: or how cricket saved my life, then ruined it - is published by Ebury